What Art Piece Was Done in Ink on Paper by Leonardo Da Vinci the Drawing Shows the Human Figure

As a principal of the arts, sciences, and everything in betwixt, Leonardo da Vinci is oft referred to every bit a "Renaissance homo." While the polymath is perchance most well known for hisMona Lisa masterpiece, information technology is his scientific sketches that impressively illustrate the encyclopedic knowledge and eclectic interests that take come up to define him.

The Vitruvian  Man , a late 15th-century drawing, is a prime number example of such work. Intended to explore the idea of proportion, the slice is part piece of work of fine art and part mathematical diagram, carrying the Old Principal'southward belief that "everything connects to everything else."

What is the Vitruvian Man?

Leonardo drew the Vitruvian Man, known also as "The proportions of the human body according to Vitruvius," in 1492. Rendered in pen, ink, and metalpoint on paper, the slice depicts an arcadian nude male standing within a square and a circumvolve. Ingeniously, Leonardo chose to depict the man with four legs and four arms, allowing him to strike sixteen poses simultaneously.

The Vitruvian Human is based onDe Architectura, a building guide written by Roman builder and engineerVitruvius between thirty and xv BC. While it is focused on architecture, the treatise also explores the human body—namely, the geometry of "perfect" proportions—which appealed to Leonardo's interest in anatomy and inspired his drawing.

"De Architectura" by Marcus Vitruvius Pollio (Photo: Mark Pellegrini via Wikimedia Commons CC By-SA two.v)

What are the "perfect" proportions?

Two blocks of backwards-written text accompany the drawing. In the starting time, Leonardo notes that, according to Vitruvius, these are the measurements of the ideal body:

• four fingers equal 1 palm
• four palms equal one foot
• half-dozen palms make one cubit
• four cubits equal a man's summit
• four cubits equal one footstep
• 24 palms equal one man

Additionally, the first set of notes also specifies: "If you open up your legs so much as to decrease your tiptop 1/14 and spread and raise your arms till your eye fingers touch the level of the top of your head you must know that the middle of the outspread limbs will be in the navel and the space between the legs volition be an equilateral triangle. The length of a homo's outspread artillery is equal to his tiptop."

In the second block of text, the creative person describes the model body as fractions:

• "From the roots of the pilus to the bottom of the chin is the tenth of a man's height"
• "From the lesser of the chin to the top of his head is one eighth of his summit"
•  "From the acme of the chest to the elevation of his head will be i sixth of a human being"
• "From the superlative of the breast to the roots of the hair will be the seventh part of the whole homo."
• "From the nipples to the top of the head will be the 4th role of a human being."
• "The greatest width of the shoulders contains in itself the quaternary office of the man."
• "From the elbow to the tip of the hand volition be the fifth role of a homo"
• "From the elbow to the angle of the armpit will be the eighth part of the man."
• "The whole hand will be the tenth function of the man"
• "The beginning of the genitals marks the center of the man"
• "The foot is the seventh part of the human"
• "From the sole of the pes to beneath the knee will be the fourth function of the man"
• "From below the knee to the starting time of the genitals will be the 4th part of the man"
• "The altitude from the bottom of the mentum to the nose and from the roots of the hair to the eyebrows is, in each case the same, and like the ear, a third of the face"

The Vitruvian Human being Today

Since 1822, the Vitruvian Man has been a part of the permanent collection of the Gallerie dell'Accademia in Venice, Italy. As it's too delicate to be on display, the slice is rarely exhibited. However, even while curtained, the cartoon remains a key office of their collection and, ultimately, ane of the most important works of the Italian Renaissance.

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